The Story
The second album from the Spanish singer is a remarkable feat, seamlessly linking flamencoâs characteristic melodrama to the heart-wrenching storytelling of modern, woman-flexing R&B. El Mal Querer, the relentlessly gorgeous album from RosalĂa Vila Tobella, a 25-year-old Spanish singer with one foot steeped in her Catalan history and the other hypebae-sneakered foot sidling into the future. Rooted in flamencoâthe Arabic-influenced Andalusian music which she has studied since a young ageâEl Mal Querer is a dramatic, romantic document that seamlessly links that traditionâs characteristic melodrama to the heart-wrenching storytelling of modern, woman-flexing R&B. Flamenco music carries the sound of Spanish history within itâyou can practically hear the migration patternsâand RosalĂa uses it to tell the story of a doomed relationship across 11 songs, each one serving as a new chapter. It is one of the most exciting and passionately composed albums to appear not only in the global bass tradition but in the pop and experimental spheres this year. (Pitchfork)
Description
The second album from the Spanish singer is a remarkable feat, seamlessly linking flamencoâs characteristic melodrama to the heart-wrenching storytelling of modern, woman-flexing R&B. El Mal Querer, the relentlessly gorgeous album from RosalĂa Vila Tobella, a 25-year-old Spanish singer with one foot steeped in her Catalan history and the other hypebae-sneakered foot sidling into the future. Rooted in flamencoâthe Arabic-influenced Andalusian music which she has studied since a young ageâEl Mal Querer is a dramatic, romantic document that seamlessly links that traditionâs characteristic melodrama to the heart-wrenching storytelling of modern, woman-flexing R&B. Flamenco music carries the sound of Spanish history within itâyou can practically hear the migration patternsâand RosalĂa uses it to tell the story of a doomed relationship across 11 songs, each one serving as a new chapter. It is one of the most exciting and passionately composed albums to appear not only in the global bass tradition but in the pop and experimental spheres this year. (Pitchfork)











