Original: $24.12
-65%$24.12
$8.44The Story
13/06/25
âBlue Moonâ transparent vinyl *Â
Alternative outer & inner sleeve artwork *
Signed Polaroid-style photo insert *
Limited pressing of 400 *
*EXCLUSIVE to Dinked Edition 336
Â
The debut solo album from Ride bassist Steve Queralt is a beautifully brooding collection that combines the darkly textured soundscapes of early M83 or Sigur RĂłs with the post-punk of Joy Division and New Order, all with an electronic sheen reminiscent of Mark Pritchard or Boards Of Canada. It features guest vocals on several tracks from Sonic Cathedral labelmate Emma Anderson (formerly of Lush and Sing-Sing) and Verity Susman (Electrelane, MEMORIALS).
Swallow has been slowly but surely pieced together between Ride albums and tours over the past eight years and, perhaps as a result, has a slightly dystopian, almost Blade Runner feel that reflects the liminal spaces in which it was created.
Thereâs also an underlying anger and political slant. Despite the fact that the majority of the album is wordless, there is plenty of power and emotion, summed up by the few lines from Julie Sheldonâs poem âThe Same Boatâ that appear on the closing track âMotor Boatsâ (âWeâre all in the same boat they say, but I would disagreeâ). According to Steve, they âcapture the reality of our times perfectlyâ.
There are also other words on the album courtesy of the two guest vocalists. âThere have been some amazing instrumental albums made over the last few years, especially in the nu-classical and post-rock worlds,â says Steve, who points out the influence of Mogwai, and even titled one of the album tracks âI Donât Know How To Singâ, âbut some of the tracks sounded like songs to me, just without any words.â
This led to the collaborations that, ultimately, tied the whole thing together and paved the way to the finished album. âOne of the demos reminded me of Lush, who Ride had toured with in the â90s, so I contacted Emma thinking her voice would be perfect. But she was confused and said sheâd never sung lead vocals.â
âAt the time I hadnât even decided I was going to sing on my own records, so I told Steve I couldnât do it,â explains Emma. âThen, a couple of years later, when I was singing on my own records and my debut album Pearlies was about to come out, I enquired about it, thinking he must have found someone else, but luckily he hadnât.â
âAfter a few false starts, I started to doubt the project altogether. It was going nowhere,â says Steve. âThen, out of the darkness, Emma got back in touch to tell me that sheâd found her voice and could I send her some tracks. A few files back and forth and an afternoon in the studio later and we had âLonely Townâ and âSwiss Airâ.â
In the meantime, Verity from Electrelane had added vocals to the song âMessengersâ and transformed the track. Matthew Simms, her then future bandmate in MEMORIALS, would go on to mix the finished album.
Â

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Description
13/06/25
âBlue Moonâ transparent vinyl *Â
Alternative outer & inner sleeve artwork *
Signed Polaroid-style photo insert *
Limited pressing of 400 *
*EXCLUSIVE to Dinked Edition 336
Â
The debut solo album from Ride bassist Steve Queralt is a beautifully brooding collection that combines the darkly textured soundscapes of early M83 or Sigur RĂłs with the post-punk of Joy Division and New Order, all with an electronic sheen reminiscent of Mark Pritchard or Boards Of Canada. It features guest vocals on several tracks from Sonic Cathedral labelmate Emma Anderson (formerly of Lush and Sing-Sing) and Verity Susman (Electrelane, MEMORIALS).
Swallow has been slowly but surely pieced together between Ride albums and tours over the past eight years and, perhaps as a result, has a slightly dystopian, almost Blade Runner feel that reflects the liminal spaces in which it was created.
Thereâs also an underlying anger and political slant. Despite the fact that the majority of the album is wordless, there is plenty of power and emotion, summed up by the few lines from Julie Sheldonâs poem âThe Same Boatâ that appear on the closing track âMotor Boatsâ (âWeâre all in the same boat they say, but I would disagreeâ). According to Steve, they âcapture the reality of our times perfectlyâ.
There are also other words on the album courtesy of the two guest vocalists. âThere have been some amazing instrumental albums made over the last few years, especially in the nu-classical and post-rock worlds,â says Steve, who points out the influence of Mogwai, and even titled one of the album tracks âI Donât Know How To Singâ, âbut some of the tracks sounded like songs to me, just without any words.â
This led to the collaborations that, ultimately, tied the whole thing together and paved the way to the finished album. âOne of the demos reminded me of Lush, who Ride had toured with in the â90s, so I contacted Emma thinking her voice would be perfect. But she was confused and said sheâd never sung lead vocals.â
âAt the time I hadnât even decided I was going to sing on my own records, so I told Steve I couldnât do it,â explains Emma. âThen, a couple of years later, when I was singing on my own records and my debut album Pearlies was about to come out, I enquired about it, thinking he must have found someone else, but luckily he hadnât.â
âAfter a few false starts, I started to doubt the project altogether. It was going nowhere,â says Steve. âThen, out of the darkness, Emma got back in touch to tell me that sheâd found her voice and could I send her some tracks. A few files back and forth and an afternoon in the studio later and we had âLonely Townâ and âSwiss Airâ.â
In the meantime, Verity from Electrelane had added vocals to the song âMessengersâ and transformed the track. Matthew Simms, her then future bandmate in MEMORIALS, would go on to mix the finished album.
Â












